Rex whistler gay
Tennant, Teresa Jungman, and Zita Jungman. Photographed by Cecil Beaton.
"October Cecil Beaton contrived a photograph of the bright young things, as they styled themselves, to which he gave the laconic title On The Bridge, Wilsford. Seven young men and women pose for the camera, all dressed up, in ruffs and frills, patterned silk waistcoats and faux-rustic breeches, as courtly versions of the shepherds and shepherdesses of Arcadia. Beaton himself is there, along with Georgia Sitwell, Zita and Baby Jungman, Stephen Tennant, the composer William Walton and the painter-illustrator Rex Whistler. Soon afterwards Osbert Sitwell took the whole team to visit Lytton Strachey at nearby Ham Spray. In characteristically acerbic fashion, Strachey pronounced them perfectly divine strange creatures with just a not many feathers where brains ought to be.
The Queer Subjectivities and Visual Culture of Stephen Tennant, Oliver Messel and Rex Whistler,
My thesis investigates the relationship between the ‘queer’ subjectivities and visual culture of Stephen Tennant (), Oliver Messel () and Rex Whistler () between and This time frame reflects the beginning of their friendship at the Slade Institution of Art, their first adulthood creativity and a period immediately preceding Nature War Two in which they were visible in press reports as ‘Bright Young People’. I ask: is it possible to detect a common visual language across their corpuses in the period ? And, is this putative visual language queer?
To respond these questions I outline on unseen private collections and public archives to analyse and compare diverse visual material and practices associated with these men. These include paintings, drawings, self-presentation, writing, photography, theatre set and costume designs and interior decoration. I establish queer readings of the visual language I identify by deploying a theoretical framework that accounts for relationships bet
Rex Whistler self portrait. Image: BBC. |
Rex Whistler as a shepherd. Photo by Cecil Beaton. |