Gay one-night stand events hastings
Baa's House, Hetain Patel. Courtesy of Humber Street Gallery, © Jules Lister
Baa's Residence, Hetain Patel
Baa's Dwelling, Hetain PatelInstallation view. Lou Lou Sainsbury, Earth is a Deadname, Commissioned and produced by Gasworks. Courtesy of Humber Street Gallery and the artist. Photo: Jules Lister
Earth is a Deadname, Lou Lou Sainsbury
Earth is a Deadname, Lou Lou SainsburyInstallation view, INTER_CHANGE Showcase. Courtesy of Humber Lane Gallery and the artist. © Jules Lister
INTER_CHANGE Showcase
INTER_CHANGE ShowcaseInstallation view. Ashley Holmes, Trust Melody. Courtesy of Humber Road Gallery and the artist, © Jules Lister
Trust Melody, Ashley Holmes
Trust Melody, Ashley HolmesInstallation view, In Conversation as Collective Strategy. Courtesy of Humber Street Gallery and the designer. © Jules Lister
In Conversation as Collective Strategy
In Conversation as Collective StrategyInstallation View. HSG Open Contact - Season One. Courtesy of Humber Street Gallery and the artists, © Jules Lister
HSG Expose Call - Season One ()
HSG Exposed CUK Gay Bar Directory - Hannah Quinlan and Rosie Hastings
Tune into the UK Gay Bar Directory, a moving image archive of gay bars in the UK.
Archived Event
| Dates | 27 May - 2 Jun |
| Times | - |
| Space | Streamed Live Twitch & Twitter |
| Price | Free |
Originally presented at Somerset Dwelling as part of the UTOPIA season and shot over a period of nine months, the production documents over gay bars across 14 cities.
The production captures the bars when empty, distilling each venue’s interior character and individuality. Made in response to the rapid closures of LGBTQ venues, the Directory captures a moment of change in queer history but also examines the broader consequences of more than a decade of austerity: the loss of public space and the dismantling of the mention infrastructure.
We'll be streaming the film at every evening for a week, across Twitch and Twitter.
ABOUT THE ARTISTS
Hannah Quinlan and Rosie Hastings (both born , Newcastle & London) dwell and work in London. They have participated in group shows including the recent ‘Cruising Pavilion: Architecture, Gay Sex a
Date/Time
Date(s) - 21/04/
-
Location
Electric Palace cinema, 39a High Street, Hastings TN34 3ER
WEEKEND plus recorded intro from Andrew Haigh
Andrew Haigh&#;s tender unpeeling of the emotional and psychological layers of two young men coming into their have. Includes Q&A with guide actor Chris New from the film, hosted by Paul Burstyn.
Director: Andrew Haigh
1 HR 37 MINS / / UK
British director, Andrew Haigh&#;s classic debut main attraction before the BAFTA and Oscar nominated sensation of All of Us Strangers (). The film follows Russell who after a drunken house party with his straight mates, heads out to a male lover club. Just before closing time he picks up Glen but what&#;s expected to be just a one-night stand becomes something else, something special.
A (sort of) love story between two guys over a cold weekend in October and a modern lgbtq+ classic presented by Peccadillo Pictures, with specially recorded introduction from Andrew Haigh
Stick around after the motion picture for a Q&A with Chris New, lead performer who plays Glen and Paul Burstyn, Polaris Manual Club and LGBT e
A Leathery Mood: On Jeremy Atherton Lin’s &#;Gay Bar&#;
With limited exceptions, the queer spaces I have visited over the years vary wildly, but there is a slippery quality that unites my experiences in them: the warm bath of alterity. The queer DJ and writer madison moore describes clubs as ‘portals’, for their ability to aid us imagine a different way of doing things, to evade the capitalist and heteronormative logic of the ‘real world’. Through the gay bar as portal, we might enter places where we can be the majority not the minority, places where fantasy and debauchery are made possible, where identity and craving are heightened.
Jeremy Atherton Lin’s GAY BAR: WHY WE WENT OUT () is a declaration of the author’s love of gay bars. It is, as far as I can tell, one of the only attempts at a cultural history of the queer bar, be it a cultural history that is sexier and messier, because Lin does not shy away from the visceral qualities of gay bars. He does not evade the smells and the dirt and the fluids as a comparatively fusty historian might (see, say, Pe